James Laxton, ASC: Shooting Beef, Season 2
There is a certain gravitas to those portraits. I find myself sitting with an image in a way I wouldn't otherwise.
James Laxton, ASC came to Beef for its second season as the one new voice in a room that had already made something people loved. His job, as he saw it, was to carry forward what Beef is at the level of shot structure, whose shoulder the camera sits over, whose scene it is, how far back the wide holds, while telling a different story than Season 1.
He and host Jared Levy get into the season's organizing idea: four couples as four seasons, spring to winter, an ensemble led by Oscar Isaac, Carey Mulligan, Charles Melton, and Cailee Spaeny, and a color language built with the production designer, Grace, to track love across a lifetime. Laxton talks through shooting large format, 65mm, for the weight it gives a face, the episode-eight silhouettes he is proudest of, and the night he calls "impending doom," a car fight shot at the end of an already full day, where the thing he feared most was not the lighting but letting the actors down.
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James Laxton, ASC
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Jared Levy
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David Kruta
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Topher Hammond
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